В самой Японии еще недавно было распространено мнение о том, что японцам не хватает силы воображения, в частности творческого. Мнение основывалось на том, что японцы традиционно и неуклонно сле-довали всевозможным правилам и канонам во всех областях жизни и творчества. Строгая регламентация художественных приемов привела к появлению множества эпигонских произведений. В то же время обуслов-ленные особенностями миропонимания чрезвычайная интенсивность ас-социативного мышления и включенность произвольного воображения не только определили своеобразие японского искусства и литературы, но и вносили – и вносят по сей день – элементы творчества в повседневную жизнь японцев. Most of the Japanese themselves has recently believed that their imagination and creativity was insufficiently developed. The belief was based on the fact that the Japanese had traditionally and steadily followed multiple rules and canons in all spheres of their life and creative work. Strict regulation in artistic methods entailed the emergence of a great deal of imitative production. Meanwhile, in fact extraordinarily intensive associative thinking and involvement of arbitrary imagination caused by the peculiar worldview have determined the specificity of Japanese art and literature and introduced creative elements in Japanese’s everyday life.

This article is up to the sound in the N. V. Gogol's early works. The central problem is the exposure and description of sound moments, and also interpretation of their import in the structure of the N.V. Gogol's plots. An analysis of imagery and undertone of all exposed sound moments are represented in this work. The spiritual and descriptive import of sound background is critically comprehended at all levels and forms of literary and artistic entity.(article is published in Russian)
The Literature and culture of Polesye. – Release № 50: N.V. Gogol's Creativity: poetics, style and language of products of the writer. – Nezhin: Publishing house of National State University of a name of N.V. Gogol, 2009. – Pages 31 – 40.

This research touches the symbolic meaning of music phenomenon in M. A. Bulgacov`s novel «Master and Margaret». Philosophical features and structural organization of musical moments in the literary novel are expounded in this work. A functional paradigm of musical form, as an implication of through action in plot is analyzed.(article is published in Russian).
Actual problems of spirituality. The collection of scientific works. – Release №10. – Krivoy Rog. – 2009. – pages 254 – 265.