This article is up to mathematical and linguistic grounds of the phenomenon of music in the logical positivism of L. Wittgenstein and in A. Schoenberg’s composition creativity. Philosophical features of reflection on the phenomenon of the music by language of mathematics, logic and linguistics are shown. It was analyzed the symbolic paradigm of perception and experience the objective world in the structure of music intonation.(article is published in Russian)
The bulletin of the Dnepropetrovsk University (Scientific edition), Series: The history and philosophy of a science and technics. Release 17, № 1/2. – 2009. – Pages 39 – 49.