This article is devoted to one of the most common phenomena in contemporary art — the actual performance of the work of art. The article deals with the issues of its origin. In this respect, it covers different forms of art of the past, such as syncretic ritual, medieval street theater, commedia dell’arte, and some synthesized works of the Renaissance and the Baroque period, and their modifications in the XXth — early XXIst century. Some common features in the well-known performance pieces of the past and the present are compared. The works by Tan Dun, L. Lipkis, K. Stockhausen, I. Xenakis, J. Cage and others are given as an example. Performance is considered as a single phenomenon of modern culture that reveals the main constant of postmodernism — a synthesis of the arts. In this connection, a method of holistic analysis is used in addition to the analytical method of presentation. The conclusions demonstrate the main genre features of performance, which appeared in the past eras (works by da Vinci, L. Bernini, etc.), and represent performance as a genre in the twentieth century.
SENTENTIA. European Journal of Humanities and Social Sciences. – 2015. – № 2. С. 200-211. / Электронный ресурс: http://www.nbpublish.com/library_read_article.php?id=-33864

Art opera director is considered one of the most difficult types of musical theater. Its main development in the twentieth century is a testament to
this.
Thus, the main aim of the work is to examine the problem field of research about the features of an opera director.
The article discusses the activities of the Stanislavsky and Nemirovich -Danchenko, who developed the principles of true and artistically convincing
transmission on stage «as the inner life», thereby laying the foundation for the development of directing as a heavy component of the translation
stage of the artwork.
After researching a number of scientific approaches, we concluded that current research practice requires as generalizations, theoretical studies,
as well as new research aimed at understanding the creative contribution of each individual director and artist in the art of the processes that occur
at the moment in musical theater and culture.
Anatoly Solovyanenko Opera director in modern scientific research // The Russian Academic Journal, Vol. 27, Issue 1, 2014, pp. 0-0

Art opera director is considered one of the most difficult types of musical theater. Its main development in the twentieth century is a testament to this. Thus, the main aim of the work is to examine the problem field of research about the features of an opera director. The article discusses the activities of the Stanislavsky and Nemirovich -Danchenko, who developed the principles of true and artistically convincing transmission on stage «as the inner life», thereby laying the foundation for the development of directing as a heavy component of the translation stage of the artwork. After researching a number of scientific approaches, we concluded that current research practice requires as generalizations, theoretical studies, as well as new research aimed at understanding the creative contribution of each individual director and artist in the art of the processes that occur at the moment in musical theater and culture.

The given research concerns the analysis of a phenomenon of music in A. Schopenhauer's metaphysics. The article describes the historical, philosophical and metaphysical characteristics, the cosmological understanding of the moments of musical art, and the role of music in global human culture, in A. Schopenhauer's works. The symbolical side of interpretation of music is analyzed as equivalent of the «world will». (article is published in Russian).
Scientific-Theoretical annual bulletin. – №29. – Zaporozhye: «Prosvita». – 2012. – pages 185 – 190.

The given research concerns the analysis of a phenomenon of music in I. Kant's metaphysics. In article are stated historic, philosophical features, the ethical and aesthetic moments of understanding of essence of musical art and a problem of musical aesthetic taste in I. Kant's works. The functional side of subjective experience of a musical image is analyzed, as a source of becoming and development of musical style of thinking. (article is published in Russian).
GRANI. – Scientific-Theoretical and Social-Political Almanac. Established by Dniepropetrovsk National University and Centre of Sociopolitical Research in 1998. – №2 (82). – 2012. – pages 17 – 21.

The given research concerns the analysis of a phenomenon of music in R. Descartes’ philosophy. The article describes the features of historical and philosophical, ethical and aesthetics understanding of the music, and the problem of musical mechanistic determinism in R. Descartes’ works. The Cartesian understanding of the logic of music and its influence on the methods of musical composition, and on the theoretical foundations of classical harmony is analyzed too. Key words: metaphysics, music, phenomenon of music, music being, philosophy of music. (article is published in Russian).
GRANI. – Scientific-Theoretical and Social-Political Almanac. Established by Dniepropetrovsk National University and Centre of Sociopolitical Research in 1998. – №3 (83). – 2012. – pages 44 – 47.

Musical folklore is a complex varied and very interesting field of culture. It consists of vocal and instrumental, choreographic and literary components. Multimedia technologies give an opportunity to make as an exact and reach presentation of it as possible. This program presents Tatar national musical culture and its connections with folklore and professional music of other nations in Russian Federation, Western European countries and the Orient. The CD contains of text in Russian, Tatar and English with corresponding playable voice recordings, video, audio recordings (folklore, modifications of national melodies, fragments from professional music), photographs, illustrations, etc. The latest modern programming tools were used in creation of the program, including DirectX® with own algorithms for extending the abilities of multimedia, up-to-date filing and compression formats (MPEG-4, MP-3, JPEG, etc.). Program uses all computer’s hardware features available with optimized for processors Pentium II – Pentium IV. Great attention was paid on designing 3D intuitively plain interface. The CD has update and extension features.

This research touches spiritual essence, ethics and aesthetic bases of music metaphysics in G.S. Skovoroda's conception. Philosophical features of comprehension of music phenomenon in the world view of the Ukrainian philosopher are expounded in this work, a symbolic paradigm of perception and experiencing musical appearance is analyzed too. (article is published in Russian)
The collection of scientific works. Established by Dnepropetrovsk. State financial academy. – Special release. – 2009. – pages 73 – 80.

This article is concerns of F. Bacon's philosophical heritage concerning about reflections above essence of music and philosophical-aesthetic forecasting of the further tendencies of development of a musical phenomenon which meets in his works. (article is published in Russian)
GRANI. – Scientific-Theoretical and Social-Political Almanac. Established by Dniepropetrovsk National University and Centre of Sociopolitical Research in 1998. – №6 I 561 2007. – pages 79 – 84.

In Jean Jacque Rousseau's aesthetic theory the problem of music takes a central place, along with the problems of literature and drama. This article analyzes the philosophy of music in J. J. Rousseau's conception (article is published in Russian).
The collection of scientific works. Established by Dnepropetrovsk. State financial academy. – № 30. – 2008. – pages 131 – 139.